[...] explores language, documentation, and presence in art, investigating how archives and performative acts can destabilize meaning. The practice spans text, image, sound and installation, examining the relationships between gesture, concept, and materiality. Central themes include linguistic performativity, epistemic interference, and the tension between the personal and the universal, incorporating collaborative and automated systems. Positioned at the intersection of conceptual art, documentation, and performative theory the work questions authorship, temporality, and the circulation of meaning in subjective systems.